I guessed that was my cue. Adjusting my messenger bag and duffel, I made my way up the sidewalk.

“Lily Parker?” she asked, one eyebrow arched questioningly, when I got to the stone stairs that lay before the door.

I nodded.

She lifted her gaze and surveyed the school grounds, like an eagle scanning for prey. “Come inside.”

I walked up the steps and into the building, the wind ruffling my hair as the giant doors were closed behind me.

The woman moved through the main building quickly, efficiently, and, most noticeably, silently.

I didn’t get so much as a hello, much less a warm welcome to Chicago. She hadn’t spoken a word since she’d beckoned me to follow her.

And follow her I did, through lots of slick limestone corridors lit by the tiny flickering bulbs in old-fashioned wall sconces. The floor and walls were made of the same pale limestone, the ceiling overhead a grid of thick wooden beams, gold symbols painted in the spaces between them. A bee. The flowerlike shape of a fleur-de-lis.

We turned one corner, then another, until we entered a corridor lined with columns. The ceiling changed, rising above us in a series of pointed arches outlined in curved wooden beams, the spaces between them painted the same blue as St. Sophia’s flag. Gold stars dotted the blue.

It was impressive—or at least expensive.

I followed her to the end of the hallway, which terminated in a wooden door. A name,

MARCELINE D. FOLEY, was written in gold letters in the middle of it.

When she opened the door and stepped inside the office, I assumed she was Marceline D. Foley.

I stepped inside behind her.

The room was darkish, a heavy fragrance drifting up from a small oil burner on a side table. A gigantic, circular stained glass window was on the wall opposite the door, and a massive oak desk sat in front of the window.